Prison Arts

I often receive requests for advice from people who want to share art with people in prison. I have compiled some basic information on this page.

People write me because I taught poetry at San Quentin in the 1980s through California's Arts in Corrections and in many prisons nationally since then.

To get a deep sense of what art-making means to someone inside prison, I suggest reading this op-ed piece and this essay by my former student, Spoon Jackson. Spoon is co-author of By Heart: Poetry, Prison, and Two Lives. There's lots more information about this two-person memoir Spoon and I wrote elsewhere on this site and the By Heart page both on Facebook and on our publisher's site. And here is a PBS segment on Richard Shelton's wonderful prison poetry workshop in Arizona.

Classic prison writers range from Jack Henry Abbott to Piri Thomas. A few recent books by people inside are

The past fifteen years have seen some excellent anthologies of prisoner writing, including:

Phyllis Kornfeld's Cellblock Visions is a beautiful collection of visual art made by people in prison.

Although materials and desire are all one needs to make art, there are an increasing number of programs through which people from the outside come inside to share. Here is an excellent source of information about existing programs and central issues.

Some programs are based in universities, some are nonprofits, some are government programs, and still others exist through church groups or because of dedicated individuals (sometimes these are prison staff and sometimes "free people.") Buzz Alexander's Is William Martinez Not Our Brother: Twenty Years of the Prison Creative Arts Project is a completely fantastic book in every way, including what it takes to create and develop an outstanding program.

Here are four excellent programs (including PCAP) among dozens:

The Prison Arts Coalition blog site allows conversation and shared information among people sharing art in and around correctional settings.

PEN has an annual prison writing contest and offers many ways for writers on the outside to work with writers on the inside.

Creativity Held Captive, by Patricia McConnel, is the best single resource I know for sharing art inside. Patricia has served time herself and her knowledge, and ability to express this knowledge, is deep.

Other excellent resources are:

Many programs want, or find they must, evaluate whether participating prisoners have a decreased incidence of disciplinary actions and/or lower rates of recidivism. The Brewster Report (scroll to the bottom of the page) is one of the earliest evaluations.

Many who have worked inside have written about the experience. Some of these books combine the writing of prisoner students and their instructors. Three of these are:

There are also memoirs, such as my own Disguised, and other nonfiction descriptions.

Many of us who have worked inside feel - not only a strong pull and commitment to the actual men and women we've met, not only awe and appreciation for the ability of so many prisoners to keep soul alive - but also tremendous anger and frustration at current prison policies and practices. There are many books that give the facts behind our feelings. Here are two that give historical perspective

And here are a few of the dozens that explore various aspects of what has come to be called "the prison industrial complex:"

Some books examine both the work of artists teaching inside and what these artists have learned about the prison industrial complex from seeing prison close-up:

And here are excellent websites (360 degrees and Thousand Kites) that explore the complexity of issues and points of view.

There are also many fine films that explore prisons and the prison crisis. Here's a new film from Thousand Kites.

A few of the many organizations focused on prison issues are

Each of these sites has links to many more resources.

Increasingly artists on the outside -- many of whose relationship to prison is not personal but is as citizens -- are exploring issues of mass incarceration, who we lock up, freedom, etc. Intersection for the Arts hosted a long inquiry into these questions and the book Prison/Culture arose from that process. We Players presented "Hamlet" on Alcatraz for many weeks in the fall of 2010 and are continuing to examine the themes of the play in relation to prison during a variety of events in 2011. The work, process, and context of Evan Bissell is particularly interesting.

Suggest a Resource