Archive for the ‘books’ Category

Tattoos on the Heart

Monday, June 7th, 2010

I love Father Greg Boyle’s book. I love the stories he tells us, the sounds of his voice and those of the homies he shares his life with, and especially the book’s drenched-in-love, grow-your-heart’ness. I think most readers will feel as I do. (Amazon sales and reviews confirm this supposition. See for yourself.)

How something – ironic, painful, what-do-you-expect? – that Tattoos on the Heart came into the world at about the same moment that Homeboy Industries (one of the book’s primary subject) ran into huge financial difficulties. You can read more about Homeboy Industries (and make a donation) here.

Father Greg loves the community he lives in (the neighborhood around Dolores Mission Church in East Los Angeles) and he shares his love for each person he tells us about, even those who frustrate him no end. He writes: “You stand with the least likely to succeed until success is succeeded by something more valuable: kinship. You stand with the belligerent, the surly, and the badly behaved until bad behavior is recognized for the language it is: the vocabulary of the deeply wounded and of those whose burdens are more than they can bear.”

“Evidence-based outcomes” is the name of the game these days – in Secretary of Education, Arne Duncan’s, Race to the Top and in the way most funders of programs working with youth or in prison demand evaluation. WritersCorps teachers know well how I roll my eyes or rant at all this. So it does my heart special good to read Father Greg’s chapter titled “Success.” He writes: “If our primary concern is results, we will choose to work only with those who give us good ones.”  Instead (as Father Greg quotes Mark Torres S.J.) “We see in the homies what they don’t see in themselves, until they do.”

By Heart on 7th Avenue Project

Saturday, May 1st, 2010

Thanks to Robert Pollie for the time, thought, and heart he put into the By Heart program he assembled and aired on KUSP on April 25. You can listen here. Robert taped Spoon ten or twelve times — via collect calls from prison, with beeps and recorded messages. I love hearing Spoon speak for himself. On all the other radio shows so far, I’ve spoken for both of us — though most have played at least part of Michel Wenzer’s audio tape of Spoon reading from By Heart). Most responses and reviews of our book mention the two-person nature of our narration. Robert’s show gives the same feel.

Prison Creative Art Project’s 15th Annual Art Show

Wednesday, March 31st, 2010

Just home from Michigan. What a great art show! So glad to witness the PCAP Associates speak Saturday morning, and to join Phyllis Kornfeld (Cellblock Visions), Joe Lea (York Correctional Center in CT), Leslie Neil (ArtSpring in Florida), Deborah Tabola (Poetic Justice in San Luis Obispo), and Aylaina Verdejo, Lionel Stewar and Philip Sample for the afternoon panel.

First By Heart readings, too! At U Mich on Sunday, at Women’s Huron on Monday afternoon, and at Parnall on Monday evening.

Longer Ago

Sunday, March 21st, 2010

Spoon Jackson’s book of poems – Longer Ago — is now available on lulu.com
Here’s one of my favorite of Spoon’s poems.

DARKENED ROOM

I sit in a darkened room
to hide
from nothing in particular.

I sit in a darkened room
to think
about nothing in particular.

I knock one devil on his ass,
ten more appear.

The angels, they want to stay
in the heavens, safe among the stars,
the lights of dusty immortality.

The devils swoop like hawks,
they swarm around the head
like summer flies.

I sit in bare-footed silence
chiseled in-between the two,
trying to keep symmetry.

Mother California

Thursday, November 5th, 2009

Kenneth E. Hartman’s is the third book to come out this fall written by men doing time. I’ve written before about Dwayne Betts’ A Question of Freedom and Jarvis Masters’ That Bird Has My Wings, and now I want to share a few words about Mother California: A Story of Redemption Behind Bars by Kenneth E. Hartman.

Hartman has done twenty-nine years in five California prisons. The years Hartman writes of are the years in which I’ve known the California Department of Corrections (“Rehabilitation” has recently been added to the department’s title, but as nearly all programming is about to be cut beginning next year, there’s no rehabilitation happening other than what the men and women inside create for themselves).

I know what I know due to the various poetry workshops I’ve taught inside, as well as to researching and writing a manual for artists working in prison for the state’s Arts in Corrections program. Through teaching, interviewing staff, or sitting in visiting rooms, I’ve been in at least half of California’s thirty-three prisons. I’ve learned most from close friendships with former students – including a recent collaboration with Spoon Jackson on our book: By Heart: Poetry, Prison, and Two Lives. Spoon, Coties, Elmo, Smokey and the others are all lifers and each has served Hartman’s twenty-nine years and more.

Hartman tells not only his personal story, but also the broader story of what’s happened in California prisons in the past three decades. Both narratives are compelling, well written, factual (and accurate to what I know and hear), and incredibly important. I’ve appreciated all three books out this fall, but in many ways, Hartman’s got to me most. Due to his own skill, I’m sure, but also because so much that he writes mirrors the experiences and expressions of the men inside whom I know best.

Hartman’s personal story is one that moves from adolescent evil to adult consciousness. The book’s publisher – writer and editor James Atlas – comments on the book’s first line, which he feels is impossible to forget: “When I was nineteen, I killed a man in a drunken, drugged-up, fistfight.” Hartman immediately lets the reader know: “Anyone who knew me could have seen it coming.” He’d been in trouble for years and had spent a long time in the juvenile justice system. He was state raised (thus “Mother California”) and ended up with a life without possibility of parole sentence.

Hartman shares some of the familial reasons that logically led to his becoming such an angry young man, but there’s no blame or self-pity in his writing. Mostly his narration is objective, almost that of a journalist, not denying emotion but maintaining steady sight, and at just the right distance to allow intimate vision and wider understanding. In this way we watch the young race-identified white man do all kinds of bad in his first years in prison. And we watch, too, his increasing consciousness and self-directed change.

Since “increasing consciousness and self-directed change” is the path I’ve watched my former students walk, I am deeply curious about what encourages such opening. In Hartman’s case, writing played a part, but mostly it was love – first from (and to) his wife (who saw and reflected the good that was in him) and eventually from (and to) his beloved daughter. Although our era keeps moving away from this knowledge, everyone I know who works with young people or people in prison knows this exact truth: deep growth comes through love and bright reflection, not through punishment and negativity.

Eventually Hartman works with others to establish what’s called the Honor Program at Lancaster (California State Prison – Los Angeles County). I know a group of prisoners at New Folsom (California State Prison – Sacramento) who are also old lifers, also sick of their part in perpetuating race hatred in prison, also sick of negativity instead of steady encouragement toward greater humanity. This group, too, brings men together to do deep work on their own spirits. I’ve learned so much about real – self-directed and group-supported – change from these men. I wish the wider voting public understood that this kind of work – prisoner-led – is going on all over the country. I welcome Hartman’s report.

As Spoon and I prepare for the April 2010 release of our book, I am so glad for these three other books. “Each man does his own time,” as the saying goes, and Betts, Masters, Hartman, and Spoon Jackson prove that point. Each man “came awake” inside, but each journey was unique and not programmable.

“That Bird Has My Wings”

Saturday, October 10th, 2009

That Bird Has My Wings: The Autobiography of an Innocent Man on Death Row is Jarvis Jay Masters’ second book, and it comes with endorsements by Archbishop Desmond Tutu, Van Jones, author David Sheff, and many others. Although Masters writes of the crimes he’s committed, as well as those he’s innocent of though convicted – and although he writes some about his life on San Quentin’s Death Row – That Bird focuses primarily on Masters’ childhood and coming of age.

Much of what Masters reports is heart breaking: being left to watch over young siblings with no food to feed them, beatings and cruelty of foster care families, being set up to fight for bets by older male relatives, choices he makes against his own best interest. But Masters also describes the love he shared with his sisters, his wonderful first foster parents, the neighbor who silently left food for the children each morning, his caring though drugged mother. When life gave him a chance, Masters was the little boy he was born to be: loving, sweet, curious, responsible.

The story Masters shapes for the first two-thirds of the book lets the reader in very close as the child tries to make sense of his experience, as he learns to protect himself from hurt, and eventually, as he comes to feel most comfortable in institutions. Masters’ telling is honest, well written, deeply (humanly) interesting.

The last third or so of the book is also interesting, honest, and well written, but to me feels tacked on – more like a handful of essays than the continuation of an unfolding story. Perhaps the publisher felt the book needed to include stories from prison itself.

Both Masters and his publisher (HarperOne) seem to want the book to speak out most strongly about the foster care system. An important goal that Masters achieves. But I think the book does even more than this. That Bird shows one life – its huge difficulties and its few gifts – and how a being is shaped by both.

A Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison

Thursday, August 27th, 2009

R. Dwayne Betts – “a good student from a lower-middle-class family” – carjacked a man, went to prison, and has written a book about the experience. Betts was sixteen when he committed the crime, but tried and convicted as an adult; he served eight years in Virginia prisons. He’s been out for four years now and in that time has earned a BA, founded a book club for young men (YoungMenRead), been an intern at The Atlantic, married and become a father. Betts is now a graduate student at Warren Wilson College. His book of poetry – Shahid Reads His Own Palm – won the Beatrice Hawley Award and will be out from Alice James Books in May 2010.

A Question of Freedom is getting lots of attention (from NPR to HipHopWired), and I’m very glad. Those of us on the outside – the ones making decisions about who we lock up – need every report on prison we can get from those who’ve been there. Betts’ report is that of a very young man – a teen-ager still (“Sixteen years hadn’t even done a good job on my voice,” is the book’s first sentence) – and therefore shines important light on this aspect of contemporary US incarceration practice.

What I appreciate most in A Question of Freedom are the ways Betts attempts to:

1. understand why he was drawn to the uncharacteristic moment that brought him to prison;

2. express the responsibility he feels, especially to his mom;

3. speak out about all the young black men in prison with him, while at the same time working hard for a complex – rather than a simplistic – analysis of this fact;

4. present the varieties of senselessness he encountered in prison;

5. describe the various ways he educated himself (with some, but not much, help from prison programs or staff);

6. claim how literature – reading and writing – shaped the man he became as he walked out of prison.

Betts is no longer a teen-ager, but he is still a very young man. A Question of Freedom is being marketed as the first work of an emerging author, and that description makes sense. The book has the virtue of rawness – conveying as it does the confusion and circuitous thinking experienced by a child locked up with adults – and some beautiful writing. Betts’ telling also bears the (probably inevitable) limitations of a young mind that has not yet developed enough scope or distance to create a coherent whole. No matter the “more” I wish from the book, A Question of Freedom is important and I’m very glad to see it building a large readership.

home from heaven

Monday, August 3rd, 2009

Just home from residency at Hedgebrook on Whidbey Island overlooking Puget Sound. Six women writers are each given a cabin to live and work in, as well as meals. Applications for February through November 2010 must be postmarked by September 24, 2009.

During this stay I finished work on By Heart: Poetry, Prison, and Two Lives, the two-person memoir I’ve been writing with former San Quentin student, Spoon Jackson. By Heart will come out April 2010.

On my next-to-last night, I read Spoon’s first chapter in our book to the group. After I read the last word, the room was completely silent. I looked up from the page and saw each woman was crying. I went back to my cabin and tried to describe this amazing moment to Spoon in a letter to where he’s housed at New Folsom. Each woman wrote him her own note about what his story — and the beauty with which he wrote his story — meant to her.

audience and niche

Thursday, July 3rd, 2008

Disguised as a Poem: My Years Teaching Poetry at San Quentin and Teeth, Wiggly as Earthquakes: Writing Poetry in the Primary Grades came out at just about the same time, though the story of each was so different. It took me years to find how to write Disugised — to discover what was, and wasn’t, mine to tell — and then a couple more years to sell what I wrote. Everything about the process was a (deep and good) challenge.

In the midst of that process, I was sharing poetry with little kids and their classroom teachers asked me to teach them how to do what I was doing. Then they asked me to write them a book. Then they told me to publish what I’d written. Then they told me which publisher to send it to. And then that publisher took it. Everything about the birth of Wiggly was fun and relatively easy (the path created for me ).

The books came out at almost the same time, as I say, and as I didn’t know how to find an audience for Wiggly, I relied on the wonderful Stenhouse Publishers to do it for me. With Disguised, once again, I worked hard, throwing myself into finding the readers I thought might be there — setting up readings, interviews, lectures, etc. With Disguised, too, I lucked out with my publisher: Northeastern University Press was fantastic. Although the staff was so small and I had to do a lot of the work, they were right there with material support in every way they could be.

The two books — one taking little from me but love, and the other taking just about all I had to give — have sold about the same number of copies (very mid-list). I’ve gotten lots of nice response to Wiggly, but I often joke that — although Disguised has sold only a few thousand copies — I’ve heard from just about every reader. Partly, I think, this is because Northeastern is (was — the university shut down the press a few years ago) a university press and the bulk of the book’s readers have been college students who want me to know what the book has meant in their lives. Also, there is a small world (a niche, I guess such worlds are called these days) actively involved in prison arts and prison issues, and we tend to find each other and to be grateful for each new experession of what it is we do and see and work toward.

I don’t know exactly what I think of these “niches.” I love the community of prison artists and activists I feel so close to. At the same time, I’m pretty sure Disguised tells a story more people than those in this niche would find of interest. As a reader, I love when the new book of an author I already love is released. But I also love being surprised, finding a book by an author or on a subject not already close to my heart. Current directions in publishing and book distribution seem to encourage finding one’s niche, and to discourage being surprised by the unexpected. I suppose, as with most things, there’s something gained and something lost.

prison poetry on Jim Lehrer Newshour

Monday, June 16th, 2008

Richard Shelton — whose excellent Crossing the Yard I praised in a blog post a couple weeks ago — is featured tonight on The Jim Lehrer NewsHour along with his prison workshop. A decent first look at what this work is; some fine poetry and interviews with the prison poets; and Richard speaks so wisely, beautifully, and from his heart.

You can watch the segment on the NewsHour site. And check out Walking Rain Review, visible on the desks in the NewsHour segment.